My work begins with questions and observations that concern me directly. Their meaning is not always clear to me at first, but they remain present and gradually develop through the process of making.
I do not begin with a fixed medium, but look for the form and material that can carry each idea most precisely. Making allows me to examine perceptions, reactions, and contradictions that I cannot resolve through thought alone. The process may lead to change, a clearer position, or a way of accepting what cannot be changed.
My practice moves between long and short breaths. Some works develop over extended periods and gather recurring questions, physical labour, and layers of thought. Others arise more spontaneously in response to a situation and often allow for humour or a slight shift in familiar images. I am particularly interested in small, fragile, and easily overlooked things, and in the attitudes we might take towards them and towards others.
Underlying my work is the belief that change does not only come through large gestures or strong stimuli. Small, persistent movements can also shift something over time. This attitude shapes both my artistic practice and the way I want to live and act: attentively, responsibly, and sincerely.